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And I just love the rich harmonic content of tube distortion (apparentely hard to reproduce on transistors). It's more of feel thing, how the amp reacts and responds to your playing. Actually, it's probably not even a question of sound per se. I've been spoiled by quality tube high gain. Personally, I just can't ever go back that road again. I've heard other players get excellent tones from plain distortion boxes to clean amps. I know you can get awesome high gain from distortion boxes. And that was always when I was using pedal distortion instead of the tube amp distortion!Īnd listening critically to my own tone, I had to agree with them. I had this brilliant idea, with a distortion pedal I can add an extra channel to my Mesa amps! It was all going well.until the guys I played with started saying I sounded "somehow softer" or just "not as good as usually". I tried dozens of them, bought some that sounded particularly convincing to me, by Wampler, Bogner, and several others. There must be much better dirt boxes out there today than my early 1980s ProCo Rat pedal. Then at some stage, something occurred to me. I just bought some more good amps instead. (Yes, I know digital modeling has advanced a lot since then, an Axe-FX III could probably fool me in an A/B listening test.) But even that didn't come near the sound and feel of my amps. Gimme! I tried several models, Line 6, Boss, what not.the bottom line was, the only one that didn't sound terrible was the Vox ToneLab.
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A little box contains all your amps, plus plenty more, in an easy to carry format and sounds good at bedroom volume. After several years of amp gain, I became aware of and interested in digital modeling. Believe me, I've seriously tried other options - distortion boxes, digital modeling - but simply failed to find anything that was as pleasing to my ears and as satisfying to play. I currently own five high-gain Mesas (a Mark IIc+, a Mark V, a "pre-500" Rev C Dual Rec, a Rev G Dual Rec, and a Road King II) and use them exclusively for my distortion sounds. That said.I love high gain, and more specifically, good tube amp high gain. What sounds great to me probably sounds like to someone else. Mostly, how much distortion do you need? Do you live on high gain? Or is high gain distortion just something extra you occasionally dabble in but prefer clean guitar or moderate rock crunch at most? If the latter, pedal distortion will probably fit your bill nicely. Plugging straight in might work in the basement but live, unless you have a great sound guy who’s going to sit on you and ride your level all night or you just don’t care about all that, plugging straight in is a PITAįirst a little all depends. You can just use them the traditional way which is to give overdrive without ruining the live mix and to give you greater control and consistency across all the sounds you need. There’s a perception that you have to generate U2 or Radiohead type sounds or metal zone with a pedalboard that is weird to me…. It will uncouple the mid and bass character from your volume and will sound a lot better.
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You’ll have lots more control, your volume knob / volume pedal will be free to fine tune volume instead of having to control volume + drive level + dragging you up and down in the live mix. This is going to sound just like your amp and when you have the levels dialed in, it will be far more consistent and controllable across all switching combinations than plugging straight in. Add the red remote to the Morning Glory for a ‘ more drive’ switch. After that, use something like a Timmy or a Morning Glory. After that add something like a Keeley Katana as a solo boost. Use light compression to get a consistent base tone with some sustain and a more even level in the mix. You don’t have to send your guitar through a RAT or a Tube Screamer. There is a whole slew of pedals designed specifically not to. Reading all the comments, I think a lot of people just miss that using pedals doesn’t have to change your sound’s essential character.